While the technology of the PLMixer allows the е…ѓ to be extraordinarily transparent, additional controls allow it to emulate the color and character of vintage limiters. The crossover points are selectable by the user. The е…ѓ features a linear phase crossover whichВ doesn't introduceВ phase distortion between the frequency bands. In effect, this feature functions exactly like a Linear Phase EQ placed before the limiting section of the е…ѓ, making the е…ѓ an all-in-one final mastering tool. The е…ѓ allows a 12dB boost or cut in each band in addition to the limiting applied to each band. This unique control lets users adjust the tonal character of the е…ѓ over a wide range, while maintaining brick-wall limiting. The е…ѓ's Priority control allows the user to control the relative limiting of each band. Instead, the PLMixer automatically controls the gain relationship between the bands. Unlike traditional multi-band limiters, the PLMixer doesn't require a wide band peak limiter to catch overshoots generated by individual band adjustments. The result is that intermodulation is minimized and overall loudness is maximized, while brick-wall limiting is still maintained-all while retaining the simplicity of a single master threshold control. The PLMixer then uses psychoacoustic criteria to intelligently decide how much attenuation to apply to each band so that all available headroom is used.

The е…ѓ differs from conventional wide band and multi-band limiters in several ways: - Unlike wide band limiters, the е…ѓ first uses linear phase crossover filters to divides the audio spectrum into five bands. The key to the е…ѓ's power is its patent-pending Peak Limiting Mixer (PLMixer ) engine.

Unlike traditional multi-band limiters, the PLMixer doesn't require a wide band peak limiter to catch overshoots generated by individual band.

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